BIOGRAPHY AND PERSONALITY OF A FAMOUS VIRGO: LAUREN BACALL

(born September 16, 1924, New York, New York, U.S.) American motion-picture and stage actress known for her portrayals of provocative women who hid their soft core underneath a layer of hard-edged pragmatism.

Bacall started modeling in 1941 and supplemented her income with jobs as a theatre usher and as a hostess at the Stage Door Canteen, which kept her next to the Broadway theatre scene that she loved. In 1942 she appeared as an ingénue in the George S. Kaufman-directed Franklin Street, but the play closed before reaching New York. Bacall's photo on the cover of Harper's Bazaar in 1943 caught the attention of the wife of film director Howard Hawks. Cast in Hawks's To Have and Have Not (1944) as the leggy sardonic beauty who gives Humphrey Bogart a famous lesson in whistling, the 19-year-old Bacall was an overnight sensation. Nervous throughout the shooting, Bacall kept her head low to keep it from shaking; this, combined with her bedroom eyes and husky voice, resulted in a sultry aura that was touted in promotional campaigns as “The Look.” She and Bogart fell in love during the filming and were married in 1945; they subsequently costarred in the successful thrillers The Big Sleep (1946), Dark Passage (1947), and Key Largo (1948). Bacall's other successful films include Young Man with a Horn (1950), How to Marry a Millionaire (1953), and Designing Woman (1957).

After Bogart's death in 1957, Bacall worked sporadically, appearing in one Broadway flop (Goodbye Charlie, 1959) and one hit (Cactus Flower, 1965) and in such films as Sex and the Single Girl (1964) and Harper (1966). She made a stunning comeback in the Broadway musical Applause (1970), for which she won a Tony Award as best actress. Her career revitalized, she went on to essay memorable roles in such films as Murder on the Orient Express (1974), The Shootist (1976), and The Fan (1981). She returned to Broadway in 1981 and won a second Tony Award for Woman of the Year.

Bacall's performances of the 1990s, most of which capitalized on her brash-but-endearing personality, are among her most respected. She received good notices for supporting roles in Misery (1990), The Portrait (1993; made for television), My Fellow Americans (1996), and Diamonds (1999). For her performance in The Mirror Has Two Faces (1996), she received her first Oscar nomination for best supporting actress. She scored another Broadway triumph in a revival of Noël Coward's Waiting in the Wings (1999). Bacall wrote two autobiographies—By Myself (1978) and Now (1994).

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